At a PHT Project meeting in January 2017 a discussion was held by the Committee Members regarding the on going selection of images for stitch. The general agreement was that in order to respond in full to a project objective….“To ensure that Palestinians manage the work,”…. a sub-committee of Palestinian membership should be set up with responsibility for the continuation of image for stitch selection. The Sub-Committee will be coordinated by Selma Harb and image contributions will be gathered from wherever there is inspiration
Images suggested for inclusion in the Tapestry will be selected by Palestinians and agreed for stitch by the Sub-Committee.
The following questions are guidelines for image selection
Is the suggested image about:
- Palestinian history?
- Palestinian heritage?
If the answer is yes to at least one of these questions, proceed to:
Is the image suggested:
- A suitable contribution to the Tapestry?
- Too large or complicated for a panel?
- Able to be transferred easily onto fabric?
- Straightforward to stitch?
These questions may need to be answered by designers and embroiderers in the field.
Once images have been agreed by the Sub-Committee, those referring to history may be passed to a History Advisor for comments.
Following Sub-Committee approval, images will be allocated to a Field Coordinator for stitch.
Iain Chalmers’ report for the PHT Project Committee on his visit to Gaza, the Naqab, and the West Bank, 10-18 March 2017
Jan was scheduled to give two talks about the PHT Project in Gaza, and to host a meal for designers and stitchers at the Marna House Hotel. Because Jan had been advised not to travel with the unhealed injury to her arm, I gave those and other talks about the Tapestry, and hosted a light meal for PHT-linked people and other friends.
At the invitation of my colleague Khamis Elessi, the Tapestry was presented to his Islamic University of Gaza (IUG) pathology class. Enthusiastic reception.
The Tapestry was presented to 170 medical students (men and women) at the new IUG campus at Moharrarat. Another enthusiastic reception
Tapestry was presented at a meeting convened by Ibrahim Muhtadi at UNRWA Headquarters, with Wafa al-Za’anin helping out.
The Head of English – Dr Maha Alawdat – at Kseifa School, where Yasmeen Haj Amer teaches, asked me to present the Tapestry to a class of about 20 boys and girls. It provoked a great deal of interest. Maha suggested that they should design and stitch a tapestry illustrating the history of the Bedouin in the Naqab and the children responded enthusiastically to this proposal, including a boy who said that he would like to learn stitching.
We’am Hammoudeh took me to visit the PHT contributors in the Amari Camp in Ramallah – Refa Mustafa; Dawlat Abu Shawish (Um Husam), Badriya Hamad, and Bassima Hamad (Um Samir)
Jan’s talk was presented 6 times, and was well received on every occasion. I had the strong impression that face-to-face meetings are important for those involved in the Tapestry, and they hope to see Jan before long.
Daphne Symon from Cheltenham visited the sewing group early this autumn and sent back an ‘at work’ image. The group have just completed a crusader panel and are starting on a new work. Thank you ladies great work.
We are fortunate to have very skilled embroiderers stitching for the Palestine History Tapestry [PHT] Project in Gaza, The Naqab, Ramallah, Jordan, and Lebanon. So far, they have completed 17 panels and 13 spacers, and 4 panels and 5 spacers are currently being stitched. The Project’s field coordinators, historians, and organisers have identified 139 possible images for stitch.
There is much to do.
Eleven panels have been photographed onto canvas and exhibited publically, and they are available for exhibition bookings. If travel expenses can be reimbursed, one of the UK-based founders of the Project will present the background and development of the Palestine History Project, and answer questions about it.Talks help to create awareness of the Project and to raise funds to support the work through donations and sale of embroidery.
Five of the exhibition panels, Calligraphy, Gaza Roof Tops, Henna Party, The Nativity, and Olive Harvest, have been selected for a limited edition purchase. The images have been printed onto canvas, by a method called Giclée printing and are ready for framing or mounting.
Each canvas is roughly two thirds of the original in size, approximately 58cm x 30cm
If you are interested in supporting the project and in owning one of these beautiful prints contact firstname.lastname@example.org